In his 1948 work on The Philosophy of Modern Music, Frankfurt School leader Theodor Adorno argued that the purpose of modern music is to literally drive the listener insane. He justified this by asserting that modern society was a hotbed of evil, authoritarianism, and potential fascism, and that, only by first destroying civilization, through the spread of all forms of cultural pessimism and perversity, could liberation occur. On the role of modern music, he wrote, "It is not that schizophrenia is directly expressed therein; but the music imprints upon itself an attitude similar to that of the mentally ill. The individual brings about his own disintegration. . . . He imagines the fulfillment of the promise through magic, but nonetheless within the realm of immediate actuality. . . . Its concern is to dominate schizophrenic traits through the aesthetic consciousness. In so doing, it would hope to vindicate insanity as true health."
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